Rachel Sennott’s Comedic Evolution in "I Love LA"
Rachel Sennott’s creation, I Love LA, is a vibrant tapestry of classic broad comedy interwoven with the sharp cynicism characteristic of Gen Z. While the show has been a delightful exploration of Los Angeles life, it wasn’t until episode six, titled “Game Night,” that Sennott truly unleashed her comedic prowess. Up until this point, her character Maia has served as a stabilizing force among a cast of eccentric personalities—a gay sociopath, an aloof nepo baby, and a messy influencer. Maia, with her steady job and ambitious demeanor, appeared to have it all together. However, this episode allows Sennott to fully embrace her outlandish comedic style, showcasing a side of Maia that is both chaotic and hilarious.
The episode kicks off with a seemingly innocuous project: Maia has booked Tallulah (Odessa A’zion) for a brief appearance in a Ritz Crackers advertisement. This moment signifies a step forward for both Maia and Tallulah, establishing Maia as a competent manager who can close deals. While the ad may not be as glamorous as a Balenciaga campaign, it marks a significant milestone in their careers. Tallulah, who is still figuring out her social media fame, is excited about the novelty of being on set, and the two share a moment of glee as they mimic the production team.
However, the excitement is soon overshadowed by Tallulah’s distractions—specifically, calls from her girlfriend Tessa (Moses Ingram). This leads to an awkward exchange with the Ritz Crackers representative, who assures Maia that they embrace Tallulah’s bisexuality. This moment is emblematic of the show’s satirical take on corporate liberalism, hinting at the complications that will arise later.
As Maia navigates the world of PR, she finds herself at a Forbes photo shoot, where she cleverly spins a conversation about her boss Alyssa’s past experiences in the “old boys’ club.” This scene not only highlights Maia’s ambition but also introduces a flirtatious note from her former boss, who addresses her as “Lewinsky.” Their banter hints at a power dynamic that Maia is both intrigued by and wary of. The dialogue reveals a deeper layer to Maia’s character, suggesting that she may be on the brink of embracing a more ambitious and perhaps reckless side.
After a night of flirtation, Maia drunkenly crashes a game night hosted by Dylan (Josh Hutcherson), which is a stark contrast to her earlier corporate encounters. This chaotic intrusion serves as a comedic high point, showcasing Sennott’s ability to create uncomfortable yet hilarious situations. Dressed in a corporate schoolgirl outfit, Maia’s antics—trying to provoke Dylan and disrupt the mundane game night—are a testament to her comedic timing and willingness to embrace chaos.
Meanwhile, the other characters are embroiled in their own subplots. Charlie (Jordan Firtsmann), Alani (True Whitaker), and Tallulah attend Lucas Landry’s funeral, which quickly becomes a spectacle. The funeral, filled with fans and overflowing with attendees, serves as a backdrop for Charlie’s awkward encounter with Andrew (Augusto Aguilera), his former fling. This subplot explores themes of intimacy and emotional vulnerability, contrasting sharply with Maia’s chaotic energy.
As the episode progresses, Tallulah grapples with her own insecurities, particularly after seeing her face on a queer-themed Ritz Crackers billboard. This moment is both hilarious and cringe-worthy, encapsulating the absurdity of influencer culture. The characters’ decision to vandalize the billboard later adds a layer of rebellion against the commercialization of their identities.
The episode culminates in a chaotic game night where Maia’s drunken antics reach a fever pitch. Her attempts to stir jealousy in Dylan and disrupt the game create a messy, unforgettable scene. Sennott’s performance shines as she navigates the fine line between humor and discomfort, embodying the essence of her character’s internal struggles.
Director Lorene Scafaria masterfully captures the episode’s chaotic energy, ending with a poignant close-up of Dylan’s shame-filled face post-coitus. This moment encapsulates the complexities of their relationship and hints at a deeper understanding of Maia’s character.
Stray Observations
- The concept of “funeral chic” is humorously explored through the characters’ fashion choices at Landry’s funeral, showcasing their unique takes on mourning.
- Alani’s psychic predictions add a whimsical layer to the narrative, particularly the absurdity of Charlie’s foretold demise at the Americana fountain.
- The Ritz advertisement remains a tantalizing mystery, leaving viewers curious about its absurdity, especially with the champagne flutes filled with Ritz crackers.
- The show’s commitment to filming in various Los Angeles locations adds authenticity, inviting viewers to explore the city alongside the characters.
- The juxtaposition of TikTok antics at a funeral versus the hashtag #BlessUp serves as a biting commentary on the absurdity of social media culture.
Through I Love LA, Rachel Sennott not only showcases her comedic talents but also offers a nuanced exploration of ambition, identity, and the chaotic nature of modern life in Los Angeles. Each episode builds upon the last, revealing layers of character development and social commentary that resonate with audiences.
