A Harmonious Blend of Tradition and Popular Culture: Azi Schwartz’s Musical Innovations at Park Avenue Synagogue
In the heart of Manhattan, Park Avenue Synagogue stands as a beacon of Conservative Judaism, rich in history and community spirit. At the helm of its musical offerings is Senior Cantor Azi Schwartz, a figure who has not only embraced tradition but has also sought to innovate and engage a modern audience. Following a recent Shabbat service, Schwartz’s creative approach to liturgical music has garnered significant attention, promising to elevate the synagogue’s musical output to new heights.
On December 7, Schwartz, alongside Assistant Cantor Mira Davis, unveiled a fresh rendition of the beloved prayer "Adon Olam," traditionally recited at the conclusion of Shabbat morning services. This new version, cleverly set to the tune of "Popular" from the acclaimed Broadway musical "Wicked," has struck a chord with congregants and beyond. A video of their performance, aptly titled "A Wicked Adon Olam," was shared on social media and quickly amassed over 100,000 views, showcasing the power of music to transcend boundaries and connect with diverse audiences.
Schwartz, who has served as the cantor at Park Avenue Synagogue for 16 years, recognizes the cultural zeitgeist surrounding "Wicked." "Obviously, everyone is talking about ‘Wicked,’" he remarked, reflecting on the decision to adapt the musical’s popular tune for a Shabbat service aimed at the congregation’s students. His enthusiasm for the project is palpable, as he notes the excitement it has generated within the community.
The cantor’s innovative spirit is not new; Schwartz has a history of reimagining "Adon Olam" through the lens of contemporary music. Earlier this year, he performed a version inspired by Coldplay’s "Sky Full of Stars" during his son Daniel’s bar mitzvah, and in 2016, he captivated audiences with a "Hamilton"-themed adaptation set to "You’ll Be Back." These creative interpretations serve a dual purpose: they honor Jewish tradition while making it accessible and relatable to a younger generation.
In a time when antisemitism is on the rise, Schwartz emphasizes the importance of embracing and celebrating Jewish identity. "You’ve got to meet people where they are," he asserts, highlighting the need for a bridge between American and Jewish identities. His musical adaptations resonate with congregants, allowing them to celebrate their dual heritage in a world that often feels divided.
The musical "Wicked," which began its journey as a novel by Gregory Maguire in 1995 and later transformed into a Broadway sensation in 2003, has its own connections to Jewish culture. Co-written by New York Jews Winnie Holzman and Stephen Schwartz, the musical has been embraced by the Jewish community. Notably, the role of Elphaba, the Wicked Witch of the West, was originated by Jewish actress Idina Menzel, further intertwining the narrative with Jewish themes.
Schwartz believes that "Wicked" embodies a Jewish story, one that speaks to the struggles of acceptance and understanding within communities. He articulates, "It’s a story about the other. It’s a story about the difficulty for the community to really accept the other for who they are." This perspective aligns with the broader themes of Jewish history and identity, making the musical’s narrative particularly resonant in today’s sociopolitical climate.
In addition to his work with "Adon Olam," Schwartz has explored other modern adaptations of liturgical songs, including a Harry Styles-inspired version of "Etz Chayim" and a tribute to Harry Belafonte with "Ein Keloheinu" sung to the tune of "The Banana Boat Song." However, his affection for "Adon Olam" is evident, as he appreciates its centrality in Jewish worship. The prayer’s concluding line, "Adonai li v’lo ira," meaning "God is with me, I will not be afraid," encapsulates a message of hope and resilience that Schwartz aims to impart to his congregation.
The placement of "Adon Olam" at the end of services serves as a powerful reminder for congregants as they leave the sanctuary. Schwartz describes it as "a nice cherry on top of the cake," providing a joyful and uplifting conclusion to the spiritual experience. This approach not only enhances the worship service but also encourages congregants to carry a sense of joy and connection with them as they step back into the world.
As Park Avenue Synagogue continues to navigate the complexities of modern Jewish life, Schwartz’s innovative musical interpretations serve as a testament to the enduring power of tradition and the importance of adapting it to resonate with contemporary audiences. Through his creative lens, Schwartz is not just leading a congregation in prayer; he is fostering a vibrant community where Jewish identity and popular culture harmoniously coexist.
