A Musical Homecoming in Jerusalem
In the heart of Jerusalem, nestled within the historic stone walls of Confederation House, a remarkable musical event is set to unfold. Michael Greilsammer, a renowned violinist and songwriter, is preparing to unveil his most personal project to date. Known for integrating the fiddle into the Israeli reggae and indie-rock scene, Greilsammer’s upcoming performance promises to be a sonic autobiography, a journey through technique and memory conveyed through sound.
The Artistic Vision
Under the artistic direction of Effie Benaya, Greilsammer’s new trio show features guitarist Assa Bukelman and percussionist Lidor Levy. This ensemble is not merely a collection of musicians; it represents a fusion of diverse musical identities. Greilsammer views the violin as an extension of himself, stating, “I’ve been with the violin since I was five years old.” For him, the instrument transcends its physical form, becoming his voice—a voice that has evolved through more than three decades of practice and performance.
A Journey Through Musical Identities
Greilsammer’s musical journey has taken him from the structured environment of classical conservatories to the vibrant rhythms of Caribbean islands. In his upcoming performance on February 5, he aims to bring all these musical identities together on one stage. “Musically, I have a severe split personality,” he admits, expressing his excitement about finally performing pieces from every station he has passed through, embracing the myriad styles that have influenced him over the years.
A Deliberate Meeting of Worlds
The setlist for the Confederation House performance is a carefully curated blend of musical worlds. Audience members can expect to hear a complex Bach sonata followed by the cinematic themes of modern Hollywood. Greilsammer sees film scores not merely as entertainment but as contemporary classical pieces that carry emotional weight akin to the works of the past. This perspective elevates the “upscale” nature of the show, treating today’s pop culture with the same reverence as classical traditions.
Interwoven with cinematic pieces are strains of Gypsy jazz, Irish and Celtic melodies, and Greilsammer’s own compositions, such as “Ishti HaYekara” and “Yalla Boei.” He perceives these genres not as isolated entities but as dialects of a shared language—the language of the fiddle, capable of expressing a spectrum of emotions.
The Chemistry of Collaboration
At the core of this musical exploration is Greilsammer’s long-standing connection with guitarist Assa Bukelman. Their partnership, which began during Greilsammer’s first international tour in 2009, has evolved into a profound musical dialogue. “Thanks to Assa, I can bring whatever I want to the show,” Greilsammer explains, emphasizing the trust and synergy that allow them to transition seamlessly between the precision of classical pieces and the improvisational spirit of jazz.
Completing the trio is percussionist Lidor Levy, whose dynamic grooves enhance the interplay between violin and guitar, enriching the narrative of the performance.
The Fiddle as a Storyteller
Greilsammer’s focus has always been on the “fiddle,” a folk-infused counterpart to the classical violin. This distinction is significant; to him, the fiddle embodies a philosophy where rhythm is as crucial as pitch. His time with Israel’s Irish/Celtic band Black Velvet was formative, grounding him in the rhythmic drive of Celtic music and intertwining his personal and professional lives.
“I created an evening where the violin tells the story,” he explains, weaving together classical music, Irish traditions, Gypsy jazz, and his own compositions. Each piece becomes a narrative thread, connecting his diverse influences.
Carving a Unique Niche
Greilsammer’s foray into reggae initially surprised the traditional music establishment. By integrating the violin into reggae’s bass lines and off-beat rhythms, he carved a niche that has taken him to festivals around the globe. “I felt a need to bring the violin into that space,” he shares, highlighting how this journey has enriched his Hebrew songs with a distinct texture that remains rare in the Israeli music landscape.
Performing at Confederation House holds special significance for Greilsammer. The venue, housed in a historic 19th-century stone building overlooking the Old City walls, is known for its commitment to ethnic music and cross-cultural dialogue. The architectural setting not only serves as a backdrop but also shapes the reception of his multifaceted repertoire.
Tradition Meets Rebellion
Greilsammer embodies a tension between tradition and rebellion. He honors the rigorous scales of his youth while embracing the energy of indie rock. Influences from R.E.M. to Bob Marley inform his eclectic style, allowing him to navigate each genre with conviction. This is not mere fusion; it is a genuine reflection of an artist who refuses to be confined to a single lane.
As he prepares for the February 5 performance, Greilsammer curates a lifetime of musical memory. He spends hours in the studio, focusing not just on the notes but also on the “breath” between them. The stripped-back nature of the trio allows the violin to breathe, emphasizing the raw textures of the wood and horsehair.
“Every note is a memory, every piece tells a story,” he reflects. The audience in Jerusalem will not just experience a concert; they will witness the evolution of a man who has found his voice through four strings and a bow.
Greilsammer’s journey serves as a reminder that the finest music transcends borders. Whether performing for a small crowd in Jerusalem or a massive festival in the Caribbean, his goal remains the same: to uncover the universal truth within the melody. On February 5, that truth will resonate through the stones of Jerusalem, showcasing how even the most complex “split personality” can find harmony when the music is right.
Event Details:
- Date: February 5
- Location: Confederation House, Jerusalem
- Website: Confederation House
- Contact: Tel: (02) 539-9360
